How To Upload Presets To Luts

Apply LUTs in Concluding Cut Pro

A lookup table (LUT) is a set of information that enables a numeric transformation of pixel values to change the way an paradigm looks.

A common use of LUTs in video post-production is log conversion. Many mod cameras have a log or wide-dynamic-range recording option that provides more f-stops of exposure latitude in the image. Video footage recorded with this option initially looks "apartment." Y'all can apply LUTs to modify the appearance of log footage to a standard broadcast specification, such as Rec. 709.

Another mutual use of LUTs is to stylize video clips with a item "look." Beyond but matching some objective model of exposure, you can subtly mix color to enhance the story you're telling with your project. Color adjustments tin can change the audience's perception of the scene being played, changing a plan'due south mood.

Concluding Cut Pro supports two categories of LUTs:

Camera LUTs (also known as camera log conversion LUTs) provide log processing for media from modern video cameras that take a log recording option. When applied to log media from a supported camera, camera LUTs built into Final Cutting Pro convert the media to the working space of the current library. If the library is set up to Wide Gamut HDR, photographic camera LUTs preserve the full dynamic range of the log media. Depending on the source photographic camera, these built-in camera LUTs as well accept into business relationship metadata such as camera exposure index, ISO setting, and white balance.

When you import media, Final Cutting Pro detects metadata in the media identifying the log format and automatically applies the appropriate built-in photographic camera LUT. Photographic camera LUTs are applied at the media level (across the library) and are applied before any clip effects. In contrast, Custom LUT effects (described below) are prune furnishings that can exist practical at whatever position in the result order.

You can also import additional photographic camera LUTs (known as custom camera LUTs). Custom camera LUTs can be provided by camera manufacturers or can exist created by your director of photography, digital imaging technician (DIT), or colorist using a third-party color grading app. Y'all tin can use custom camera LUTs to right color in your program or to utilize stylized looks. Meet Case: Utilise custom camera LUTs in your workflow.
Custom LUT effects allow you to easily create, import, or share custom looks for video clips and projects according to your creative needs. Custom LUT furnishings are clip effects that you apply to timeline clips from the Effects browser. You can also use Custom LUT furnishings to apply tone mapping, allowing for a custom conversion to the projection's output color space.

Apply a camera LUT

Some cameras embed metadata in the media file, enabling Final Cutting Pro to turn on the appropriate log processing setting automatically. Many cameras practice non embed this metadata, and sometimes the metadata may simply be lost if the material is transcoded. You lot tin utilize a camera LUT to i or more video clips, or switch to a different camera LUT, using the Info inspector.

Note: Terminal Cut Pro preserves the full dynamic range of the log media every bit long as color processing for the library is set to Wide Gamut HDR. If the library is fix to either Standard or Wide Gamut (Deprecated) when you use a camera LUT, the media is tone mapped (downgraded) to the narrower standard dynamic range (SDR). See Intro to wide color gamut and HDR in Concluding Cut Pro.

In Concluding Cutting Pro, select one or more video clips recorded with the log choice.
If the inspector isn't already shown, do ane of the following:
- Choose Window > Prove in Workspace > Inspector (or press Command-4).
- Click the Inspector button on the right side of the toolbar.
Click the Info button at the top of the inspector.
Click the Metadata View pop-upwardly menu in the lesser-left corner of the Info inspector and cull General, Extended, or Settings.
Click the Photographic camera LUT pop-upwardly bill of fare and cull an selection for converting the appearance of your footage:
- None: Turns off log processing.
- ARRI Log C: Applies ARRI Log C linearization with a default tone mapping.
- ARRI Log C (3D LUT): Uses the 3D LUTs embedded in the media to apply a custom await.
- Blackmagic Design Film: Applies the advisable linearization and a tone mapping for the Blackmagic Cinema Camera and the Blackmagic Pocket Cinema Camera.
- Blackmagic Design Flick 4K: Applies the appropriate linearization and a tone mapping for the Blackmagic Product Photographic camera 4K.
- Canon Log: Applies the appropriate linearization for Catechism Log.
- Canon Log2/Cinema Gamut: Uses Canon's EOS C300 Marker Two 3D LUTs that convert Canon Log 2 with Cinema Gamut to Wide DR gamma.
- Canon Log3/Cinema Gamut: Uses Catechism'south EOS C300 Marker 2 3D LUTs that convert Canon Log 3 with Cinema Gamut to Wide DR gamma.
- Panasonic Five-Log: Uses Panasonic's Varicam 35 3D LUTs that convert 5-Log to 5-709/V-2020.
- Sony S-Log2/S-Gamut: Applies the advisable linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log2/S-Gamut setting on Sony cameras such as the F5 and F55.
- Sony Southward-Log3/S-Gamut3: Applies the appropriate linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log3/S-Gamut3 setting on Sony cameras such every bit the F5 and F55.
- Sony S-Log3/S-Gamut3.Cinematics: Applies the appropriate linearization and 709(800%) MLUT tone mapping for footage shot with the S-Log3/S-Gamut3.Cine setting on Sony cameras such as the F5 and F55.
If you've imported custom camera LUTs, yous can choose i from the Custom Camera section of the pop-upward carte du jour.

Terminal Cutting Pro applies the camera LUT you chose, and alters the await of the video prune appropriately. The alter is applied to all instances of the clip, in all projects and events in the current library.

Annotation: Last Cut Pro properly displays Apple ProRes media captured with the ARRI ALEXA photographic camera Log C recording selection and imported with Final Cut Pro x.0.8 or subsequently. If Log C media was imported into an earlier version of Concluding Cut Pro, Log C processing is disabled past default for that media.

Import a custom photographic camera LUT

Select a video clip in the Final Cut Pro browser or timeline.
In the Info inspector, click the Metadata View popular-up carte in the bottom-left corner and choose Full general, Extended, or Settings.
Click the Camera LUT pop-up carte du jour and choose Add Custom Camera LUT.
In the window that appears, navigate to the LUT file you want to import, and select information technology.

You can import 3D LUT files with the filename extensions .cube and .mga. You can select single files, multiple files, or a folder of files.
Click the Output Color Space popular-upward menu and choose the target color space that the custom photographic camera LUT converts to.

The target color infinite is usually indicated in the custom photographic camera LUT name.
Click Open.

The custom camera LUT yous imported appears in the Custom Camera department of the Photographic camera LUT pop-up menu. If you imported a folder of LUT files, it appears as a submenu in that section of the popular-up menu.

To remove imported custom camera LUTs from the Camera LUT pop-upward menu, choose Reveal in Finder to open the Camera LUTs folder, elevate the LUT files to the Trash, and reopen Final Cut Pro.

Annotation: If you imported a custom camera LUT and applied it to a clip, only the LUT file is missing from the Photographic camera LUTs binder, a yellow alert button appears next to the Camera LUT pop-upwardly card. Click the alarm push button to reimport the custom photographic camera LUT or to replace information technology with a different ane.

Share a custom camera LUT

You can easily copy imported custom camera LUTs to some other calculator or share them with friends and colleagues.

Select a video clip in the Last Cut Pro browser or timeline.
In the Info inspector, click the Metadata View pop-upwards menu in the lesser-left corner and choose General, Extended, or Settings.
To open the Camera LUTs folder in the Finder, click the Camera LUT pop-up carte du jour and cull Reveal in Finder.

The Photographic camera LUTs folder is in the following location:

/Users/username/Library/Application Support/ProApps/Camera LUTs/
In the Finder, select the LUT files you want to share, and then choose File > Compress.

Compressing the files prevents whatever modify to custom layouts during transit.
Transfer the resulting Nada file (with the filename extension .goose egg) to your friend or colleague using email or another convenient method.
On the receiving Mac, double-click the ZIP file to decompress it.
To import the LUT file, see Import a custom camera LUT.

Note: If you copy a library that uses an imported custom camera LUT, yous must copy the custom camera LUT every bit a separate file. If the LUT file is missing from the Camera LUTs folder, a yellow warning button appears adjacent to the Camera LUT popular-up carte. Click the alert push button to reimport the custom camera LUT.

Example: Use custom camera LUTs in your workflow

If implemented correctly, custom camera LUTs offer multiple benefits to productions shooting log footage.

In Last Cut Pro, you can:

Access the full dynamic range of log media.
Stylize footage with custom looks to suit your filmmaking needs.
Play back without rendering. This is essential for directors and DPs to review takes immediately, on the set.
Utilize custom camera LUTs straight in the browser. This makes viewing dailies quick and easy. (In contrast, Custom LUT furnishings must be applied to clips in the timeline.)

Beneath is an outline of how you lot might utilize LUTs in your product and post-production workflows.

Before shooting begins, the director of photography (DP) creates a custom camera LUT on the set of a product that is using cameras with a log recording choice.
The digital imaging technician (DIT) imports the DP's custom photographic camera LUT.
As the footage is downloaded from the camera, the DIT selects the relevant shots in the browser and applies the DP'due south custom camera LUT.
The manager and DP conduct the on-fix review with the custom camera LUT applied. Clips are played back straight from the browser.

The organizational capabilities of Final Cut Pro (such every bit Keyword Collections) brand it piece of cake to quickly observe the best parts of each "circle take" (a take the managing director considers noteworthy).

Considering camera LUTs are applied nondestructively, the DP can replace the custom camera LUT with an adapted 1 at any time.
The DIT sends out dailies (generating them directly from the browser) with the custom camera LUT applied. Come across Batch sharing in Last Cutting Pro.
During the editing and finishing phases, editors and colorists may replace the DP'southward custom camera LUT—for case, they might augment the LUT by adding one or more color correction furnishings. See Intro to color correction effects in Last Cutting Pro and Final Cut Pro manual colour correction workflow.

If a more stylized look is required (such every bit Summertime, Old Timey, Sci-Fi, and so on), editors or colorists tin can add Custom LUT effects to the same footage. See Import and employ a Custom LUT upshot.

Stylized Custom LUT effects are bachelor from a diversity of third-party sources.

Import and apply a Custom LUT effect

In contrast to photographic camera LUTs, Custom LUT effects are applied by adding a clip effect to timeline clips.

Select a prune in the Final Cutting Pro timeline.
Open the Effects browser, select the Color category on the left, then double-click Custom LUT to utilize the upshot to the selected clip.

See Add video furnishings in Terminal Cut Pro.
If the Video inspector isn't already shown, practise one of the post-obit:
- Cull Window > Show in Workspace > Inspector (or press Command-4).
- Click the Inspector button on the right side of the toolbar.
Click the Video button at the pinnacle of the inspector.
In the Custom LUT department of the Video inspector, click the LUT pop-up bill of fare and choose "Choose Custom LUT."

Annotation: If you previously imported a custom LUT, you can choose Contempo and then cull from a list of recently used Custom LUT effects.
In the window that appears, navigate to the LUT file you want to import, and select information technology.

You tin can import 3D LUT files with the filename extensions .cube and .mga. You lot can select single files, multiple files, or a binder of files.
Click Open up.

The LUT you imported appears as the selected LUT at the top of the Custom LUT section.

If you imported a folder of LUT files, information technology appears as a submenu in the LUT pop-up menu. (In this case, choose a LUT from the submenu so that information technology appears equally the selected LUT at the peak of the Custom LUT section.)
Click the Input pop-upwards menu and choose the color space the LUT converts from.

This colour space was adamant when the custom LUT was created.

Annotation: Photographic camera LUTs and custom LUTs typically include the names of the input (source) color infinite and intended output (target) color infinite in the LUT filename. If y'all're non sure which color infinite to cull, meet the LUT creator for more information.
Click the Output pop-upward menu and choose the colour space the LUT converts to.

This color infinite was adamant when the custom LUT was created.
To optionally fix the amount of the original image to exist composite with the adjusted prototype, drag the Mix slider.

Final Cutting Pro applies the custom LUT and the settings you chose, and alters the look of the video clip accordingly.

Share a Custom LUT consequence

Y'all tin can share custom LUTs by copying the LUT files to another Mac.

In the Final Cut Pro timeline, select a clip that has the Custom LUT consequence applied.

To apply the Custom LUT effect, see Import and use a Custom LUT effect.
If the Video inspector isn't already shown, do i of the following:
- Cull Window > Show in Workspace > Inspector (or press Command-4).
- Click the Inspector push button on the correct side of the toolbar.
Click the Video button at the top of the inspector.
To open the Custom LUTs folder in the Finder, click the LUT pop-upwardly carte du jour in the Custom LUT section of the inspector and choose Reveal in Finder.

The Custom LUTs folder is in the following location:

/Users/username/Library/Application Support/ProApps/Custom LUTs/
In the Finder, select the LUT files y'all desire to share, then choose File > Compress.

Compressing the files prevents any change to custom layouts during transit.
Transfer the resulting ZIP file (with the filename extension .zip) to your friend or colleague using email or another convenient method.
On the receiving Mac, double-click the Nix file to decompress it.
To import the Custom LUT effect, see Import and apply a Custom LUT effect.

To remove imported custom LUTs from the LUT popular-up card, follow the steps in a higher place to open the Custom LUTs binder, elevate the LUT files to the Trash, and so reopen Final Cutting Pro.

Annotation: If you copy a library that uses a Custom LUT effect, you must copy the LUT equally a separate file. If the LUT file is missing from the Custom LUTs folder, a yellow warning button appears next to the LUT pop-upwardly menu. Click the warning push to reimport the LUT or replace information technology with a unlike LUT.